Thursday, December 29, 2011

Library of Congress Helps Unlock Experimental Sound Recordings of Alexander Graham Bell

Nearly 10 years ago, the Library of Congress initiated a research collaboration with the Lawrence Berkeley National Laboratory to study the application of digital imaging to the extraction of sound from phonograph records and other grooved media. This non-invasive approach protects delicate or damaged historical items.

That collaboration has resulted in unlocking experimental sound recordings made more than 100 years ago by Alexander Graham Bell and associates.

The recordings, now available for listening by the public, can be found at http://irene.lbl.gov/volta-release.html.

In the early 1880s, three inventors—Alexander Graham Bell, Chichester Bell and Charles Sumner Tainter, collectively making up the Volta Laboratory Associates—tried to record sound. In one experiment, on Nov. 17, 1884, they recorded the word “barometer” on a glass disc with a beam of light. This disc, along with nearly 200 other experimental recordings, was packed up for safekeeping and deposited at the Smithsonian Institution.

In the past year, Library of Congress Digital Conversion Specialist Peter Alyea; Lawrence Berkeley National Laboratory Scientists Carl Haber and Earl Cornell; and National Museum of American History Curators Carlene Stephens and Shari Stout worked jointly to recover sound from those recordings. Using high-resolution scans made from the original Volta discs, they were able to hear the word “barometer.”

The team has successfully submitted six discs—all experimental recordings made by Volta—to the sound recovery process known as IRENE/3D (Image, Reconstruct, Erase Noise, Etc.), a process developed by Berkeley Lab in 2003-04 and installed at the Library of Congress in 2006 and in 2008.

The process creates a high-resolution digital map of the disc or cylinder. This map is then processed to remove evidence of wear or damage, such as scratches and skips. Finally, software calculates the motion of a stylus moving through the disc or cylinder’s grooves, reproducing the audio content and producing a standard digital sound file.

IRENE/3D research has been supported by the Institute of Museum and Library Services, the Library of Congress, the National Endowment for the Humanities, the National Archives and Records Administration, the Department of Energy, the University of California, the Andrew P. Mellon Foundation and the John Simon Guggenheim Memorial Foundation.

Founded in 1800, the Library of Congress is the nation’s oldest federal cultural institution and the largest library in the world, with more than 147 million items in various languages, disciplines and formats. The Library’s Preservation Directorate is the oldest and largest library preservation facility in the nation. The directorate’s mission is to ensure long-term, uninterrupted access to the Library's collections, either in original or reformatted form. It focuses on solving preservation problems facing collections of all types, whether traditional, audiovisual or digital. For more information, visit www.loc.gov/preservation/.

Lawrence Berkeley National Laboratory is a U.S. Department of Energy national laboratory and is located in Berkeley, Calif. It conducts unclassified scientific research and is managed by the University of California. Its website is www.lbl.gov. The Berkeley/Library of Congress research website is http://irene.lbl.gov.

The National Museum of American History collects, preserves and displays American heritage in the areas of social, political, cultural, scientific and military history. To learn more about the museum, visithttp://americanhistory.si.edu.

Heavenly Music From Hildegard Of Bingen, A Soon-To-Be Actual Saint

"Pope Benedict XIV has indicated he plans to canonize the 12th-century female composer, mystic, author, physician and abbess Hildegard von Bingen and then proclaim her a Doctor of the Church in October 2012."

For the full story, please see NPR.org.

In Memoriam: Musicians We Lost In 2011

For the full list, please see NPR.org.

K-Pop Blows Up: Korean Music Finds Fans Worldwide

Listen to the story at NPR.org.

What Does a Conductor Do?

"I’m standing on a podium, with an enameled wand cocked between my fingers and sweat dampening the small of my back. Ranks of young musicians eye me skeptically. They know I don’t belong here, but they’re waiting for me to pretend I do. I raise my arm in the oppressive silence and let it drop. Miraculously, Mozart’s overture to Don Giovanni explodes in front of me, ragged but recognizable, violently thrilling. This feels like an anxiety dream, but it’s actually an attempt to answer a question that the great conductor Riccardo Muti asked on receiving an award last year: 'What is it, really, I do?'"

For the full story, please see NY Magazine.

The End of Modern Dance?

"Before Merce Cunningham died at age 90 in July 2009, he had decided that his company would die with him, preceded by a two-year world tour. And so, after the grand finale performances Dec. 29-31 at the Park Avenue Armory, the company will be snuffed out. Its demise carries with it a huge chunk of the American modern dance tradition. Besides Paul Taylor and Trisha Brown, there are no U.S. modern dance troupes whose leader is still alive, whose company still tours consistently and whose choreography stems from a technique developed by its founder."

For the full story, please see Musical America.

Thursday, December 15, 2011