Wednesday, September 28, 2011

New @uwmusiclib

Welcome back to the UW Music Library. This summer we've made a number of changes to better serve you! Here are some of the new changes you'll see:

  • New Saturday 1-5 hours! You commented on the In-Library Use Survey and we heard you. This Fall we'll be open 1-5 on Saturday and Sundays.

  • Open Reserves by course. This Fall all books on reserve for your courses will be shelved upstairs by course where the current periodicals were located. You may pull books to read without checking them out at the front desk. Just remember to put them on the neighboring re-shelf shelf so that we can be sure to count them in our usage statistics.

  • Group Study & Quiet Study space. Based on your survey results from Spring quarter, we are designating the upstairs Music Library space as group study space. Use this space to work on group projects. Quiet study space is located downstairs.

  • Current Periodical Downstairs. Read the latest issue of Journal of the American Musicological Society or Billboard Magazine downstairs. The current periodicals are now located at the end of the bound periodicals (next to the oversized scores).

  • New books location & list. The new books and scores are now located on the shelves at the end of the theses, next to the large, bay window. Check out the new materials list of books, scores and media online at http://www.lib.washington.edu/music/about.html#new

  • Laptop workstations in the Listening Center. Bring your laptop to the Listening Center! The Listening Center has two new, dedicated spaces for laptop usage.



And coming soon...
• Two new scanners in the Listening Center.
We look forward to seeing you in the Music Library Listening Center!

Franz Liszt at the Library of Congress [article]

"In order to commemorate the bicentenary of Liszt's birth as well as to bring attention to the Library of Congress's substantial holdings of primary source material related to this composer, the present site is offered as a portal to facilitate the exploration of the Library's rich resources for performing research on Liszt's life and career, as well as to publicize the public concerts and events that will be presented in conjunction with this celebration."

For the full story, please see Library of Congress.

'Lost' Beethoven work to be aired

"Beethoven wrote the slow movement for his string quartet Opus 18 Number Two in 1799 before discarding it and composing another version a year later.

The original has not survived, but has now been reconstructed by Prof Barry Cooper of Manchester University."

For the full story, please see www.bbc.co.uk.

Monday, September 26, 2011

Everything to play for at the Tchaikovsky competition

"British pianist Peter Donohoe is used to being lionised in Moscow. In 1982, Donohoe won the highest prize awarded at the world's most prestigious and controversial classical music talent-show, the Tchaikovsky Competition. Those two words instil sweaty-palmed nervousness and feverish excitement in any musician who's ever competed in Russia, and in anyone who ever watched those grainy broadcasts of the finals that used to beam into our living rooms from the USSR every four years in the 1970s and 1980s. They were messages from another world, visions of an ethereal realm of the brightest and best pianists, violinists, cellists and singers. Donohoe remains a hero in Moscow, and his performances of Tchaikovsky's First Piano Concerto and the "Rach 3", Rachmaninov's Third Piano Concerto, are still talked about with misty-eyed reverence in the corridors of the Great Hall of the Moscow Conservatory, home of the Tchaikovsky Competition since its first edition in 1958."

For the full story, please see The Guardian.

Cultural Divide Persists as Musical Tastes Shift

"When the National Endowment for the Arts issued a report earlier this year suggesting the omnivore is in decline, many in the arts community found the news deeply unsettling. But newly published research from Britain, which focuses on taste in music, analyzes audiences from a different perspective — one that could be useful to both performers and presenters."

For the full story, please see www.miller-mccune.com.

Monday, September 12, 2011

Update: Oregon Symphony extends contract for music director Carlos Kalmar

"Carlos Kalmar, the Oregon Symphony's music director since 2003, has renewed his contract through 2015. His current contract ran through 2013. In the 2007-08 season, the last for which numbers are available, he earned $312,000."

For the full story, please see oregonlive.com.

Europe Extends Copyright on Music

"In a victory for the financially troubled recording industry, the European Union on Monday extended the term of copyright on sound recordings to 70 years from 50, while declining to include provisions that would allow artists in Britain and elsewhere in Europe to recoup ownership of their music easily. Had the Council of the European Union not acted, many of the most famous and popular recordings of the British Invasion of the 1960s, including albums by the Beatles, the Rolling Stones, the Who and the Yardbirds, would have fallen into the public domain in the coming years. For example, the Beatles’ first hit record, “Love Me Do,” which was released in 1962, could have been treated next year in much the same way as works by classical composers whose exclusive ownership of their music has expired. With multiple versions available at cheaper prices, the four major record labels would be deprived of one of their biggest sources of income."

For the full story, please see the New York Times.

The Clown Of The Orchestra Takes Its Revenge

"You might think you haven't heard the bassoon outside a concert hall before, but you have: The woodwind instrument features prominently in the theme music of Leave It To Beaver, represents the grandfather character in Peter and the Wolf, and scores Mickey Mouse's misadventure with the dancing broomsticks in Fantasia. Notice a trend there?"

For the full story, please see NPR.org.

JSTOR Opens Up U.S. Journal Content From Before 1923

"Users anywhere now have free access to JSTOR’s Early Journal Content, a corpus of scholarly articles published in the United States before 1923 and elsewhere before 1870. That’s about 500,000 articles from 200 journals, according to JSTOR’s announcement."

For the full story, please see Wired Campus.