- "It's a bit different nowadays. A 'composer-in-residence' for an orchestra will have to sign a proper contract, obliging him/her to produce a big piece or two per year, while juggling lots of other commitments to supplement the far-from-munificent fee. It also involves chatting to the audience, who will probably have a lingering fascination for 'genius' and want to see what a real live composer actually looks like."
For the full story, please see the Telegraph.
No comments:
Post a Comment